How Jay Leno Became the Villain of the Last WGA Strike
Talk show host/box of donuts before quickly disappearing from sight like some slow-moving, denim-clad ninja.
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The move earned kudos from some, but others were more critical of Leno — not just because he totally could have afforded to give each striking writer a classic convertible instead of a 99-cent donut, but also because many people saw Leno as the face of the enemy during the previous writers’ strike.
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Famously, after the 2007 strike dragged on for months, and into early 2008, both Leno and The Bachelor without STI-ridden hot tubs. By the way, this wasn’t done as part of some noble effort to entertain the masses or employ the show’s non-striking crew ; it was specifically conceived by network executives as a tactic designed to “undermine the solidarity of the union.”
The Late Show with David Letterman also resumed production, but Letterman notably returned to the airwaves with his writers. Since The Late Show was owned by his production company, Worldwide Pants, and not CBS, Letterman could look like a hero compared to his colleagues by negotiating a deal with his writers. As the head of Worldwide Pants, Rob Burnett told the press at the time, “We don’t have a problem giving the writers what they are asking for. We think they deserve it, and we’re happy to give it to them.”
Meanwhile, O’Brien and Leno “reluctantly” reed the airwaves without their writing staff — as did other hosts like Jon Stewart. But what became most confusing and controversial was the question of whether or not the hosts could perform opening monologues. Some reports from the time claimed that there was a “prohibition” on any writing that would “customarily” be done by a Guild member, including monologue jokes. So some hosts, like Kimmel, decided to scrap their monologue altogether for “fear of crossing a line,” but Leno, who himself was a WGA member, did a full 10-minute routine that he claimed to have written himself.
It went over as well as his starring role in Collision Course. For example, Leno opened with this zinger: “A Jew, a Christian and a Muslim walk into a bar. The Jew says to the Muslim… See, I have no idea what they say because there’s a writers’ strike. We don’t know what they say.”
Or how about this sweaty Bush-era masterclass in cringiness: “They say Al Qaeda is now trying to recruit women. This kind of makes you wonder, what does Al Qaeda promise women to become terrorists? Like men get the 72 virgins, what do the women get? Fifty guys that help out around the house, clean up, cut the lawn, fix the plumbing?”
NBC asserted that Leno was ethically in the clear to write and perform jokes on the show because he had met with the head of the WGA West, who told him in December 2007 that, when it came to his monologue, “We’re going to look the other way.” A WGA spokesperson denied this, accusing NBC of “trying to stir things up.” The WGA then announced possible plans to “investigate” Leno over the “authorship” of his monologue, inferring that he was lying and had secretly solicited help from other writers in crafting all those aggressively terrible jokes.
This behind-the-scenes drama also percolated on-camera. When Kimmel uncharacteristically popped by The Tonight Show, seemingly in an effort to create at least a few minutes of watchable, unscripted entertainment (Leno returned the favor on his show), he asked Leno, “Will you write some jokes for me? Because it seems like you’ve got plenty.” Leno responded: “I can’t. That’s illegal.”
Interestingly, O’Brien also performed a monologue, which also had jokes he had apparently written himself. But O’Brien skated by unscathed, presumably because, unlike Leno, O’Brien didn’t just up and pretend like everything was business as usual. Instead, he devoted much of his first monologue to avowing his for the striking writers and was pointedly still sporting his strike beard, which he once referred to as “a hobby on my face.”
Even very on-brand.) But when Real Time returned to TV, Maher scrapped his opening monologue, specifically because of the “controversy sparked by The Tonight Show.”
A full year after the strike ended, Leno was forced to fax machines” during the strike, thus preventing people from faxing him jokes for free?
Weirdly, Leno himself didn’t publicize his official exoneration, even though it came at a time when writers were mad at him for a whole new reason. Thanks to its very existence, his short-lived 10 p.m. talk show The Jay Leno Show — the one that kneecapped O’Brien’s Tonight Show — led to “stripping NBC’s schedule of five hours of scripted primetime programming a week,” thus costing WGA jobs.
And they didn’t even get any donuts.
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